• Sony To Release Two Untitled Marvel Movies in 2023

    Sounds like 2023 might be a good year for fans of Sony's Spider-Man-centered Marvel universe as Sony Pictures has announced the release dates for two currently untitled Marvel movies coming to theatres that year: June 23, and October 6.

    In a press release, Sony announced it has reserved two 2023 dates for untitled Sony./Marvel Universe movies. This is in addition to a third Sony Marvel production that's already been announced for January 13, 2023: Kraven the Hunter.

    Without titles or further details, it's impossible to know much more about what these two other films will entail. We do know that Olivia Wilde has a project in the works that may or may not be Spider-Woman, and there have been whispers over the years of other characters in the spotlight like Silver Sable, Black Cat, Nightwatch, Madame Web, and Jackpot. Given the box office success, another Venom movie is also likely in the cards.

    The only other known Sony Marvel movie is Mobius slated to be released on January 28, 2022.

    Curiously, one of the untitled movies is set for October 6, 2023 — the same date that Disney had until this week planned its own MCU movie. It's possible that this is a collaboration, or that Disney opted to move a release date on their end to steer clear of Sony's own Marvel project dropping that day. Disney also removed a Marvel movie from July 28 in the same update.

    For now, there's Venom: Let There Be Carnage, which our review found an improvement on everything from the first movie even if it played things a little safe.

    Rebekah Valentine is a news reporter for IGN. You can find her on Twitter @duckvalentine.

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    Hayden Christensen Will Also Be in Disney Plus’ Ahsoka Series

    Hayden Christensen’s return to a galaxy far far away continues as he is set to reprise his role as Anakin Skywalker in the upcoming Ahsoka series for Disney+. Christensen is already slated to return as Anakin in the upcoming Obi-Wan series.

    The Hollywood Reporter says multiple Lucasfilm and Disney+ sources have confirmed that Christensen is set to return as Anakin Skywalker in the Ahsoka Tano series starring Rosario Dawson.

    Christensen first played Anakin Skywalker in Star Wars Episode 2: Attack of the Clones. His arc through Episode 3 saw him lose to the Dark Side and eventually become Darth Vader.

    Plot details for Ahsoka are being kept under wraps, though Dave Filoni is set to write the series and executive produce alongside Jon Favreau.

    Ahsoka Tano is Anakin Skywalker's Padawan and was introduced in the animated Clone Wars series. Given the two character's deep history together Christensen's return as Skywalker in Ahsoka seems like a no-brainer. But whether he will return as Anakin or Darth Vader remains to be seen.

    Dawson plays an older version of Tano and made the character's live-action debut in the second season of The Mandalorian. It was later announced that Dawson will play Tano again in an Ahsoka solo series. Timeline-wise, Tano's first live-action appearance took place after the original trilogy, which means Vader would actually be dead by the time The Mandalorian takes place.

    Meanwhile, Christensen is already set to return to the Star Wars universe in the upcoming Obi-Wan series starring Ewan McGregor. This prequel series is set before the events of Star Wars Episode 4: A New Hope and follows Obi-Wan as he navigates the fall of the Jedi Order and before taking Anakin's son, Luke Skywalker, under his wing.

    Developing…

    Matt T.M. Kim is IGN's News Editor. You can reach him @lawoftd.

    Credit: RICHARD HARBAUGH/DISNEYLAND RESORT VIA GETTY IMAGES

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    Peter Scolari, Bosom Buddies Star and TV Veteran, Dies at Age 66

    Veteran TV and stage actor Peter Scolari has died. He is perhaps best known for co-starring in the 1980 hit TV show Bosom Buddies alongside Tom Hanks. He was 66.

    Scolari is an Emmy Award-winning actor who began his career in 1978. In 1980 he starred in the comedy Bosom Buddies with TomHanks about two friends who dress as women to live in an affordable women’s only apartment. The series lasted two years before it was canceled.

    In 1984, Scolari joined Bob Newhart’s sitcom Newhart and was a series regular until 1990 when the show ended. Scolari earned his first Primetime Emmy nomination for Supporting Actor for his role on the show as a yuppie TV producer named Michael Harris.

    Scolari would win a Primetime Emmy Award for Outstanding Guest Actor nearly two decades later for his role as Tad Horvath on HBO’s Girls. Tad is the father of Lena Dunham’s character Hannah Horvath.

    But Scolari’s full body of work includes dozens of credits in shows like Reba, ER, and The West Wing, as well as voice-over work on animated cartoons like Batman: The Animated Series, Gargoyles, and Animaniacs.

    Scolari seemed to have a certain affinity for WB’s superheroes having appeared in Lois & Clark: The New Adventures of Superman, Batman: The Brave and the Bold, and as Commissioner Gillian Loeb on Gotham.

    Scolari continued to work up until his death with recurring roles on Fosse/Verdon and Evil as well as Lisey’s Story.

    Matt T.M. Kim is IGN's News Editor. You can reach him @lawoftd.

    (Photo credit: ANGELA WEISS/AFP via Getty Images)

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    IGN Prime Sweepstakes: Enter to Win Resident Evil Village Prizes

    IGN Prime has partnered with Capcom for an exclusive sweepstakes to celebrate their contemporary classic Resident Evil Village just in time for Halloween. We have the amazing Village Collector's Edition to give away as well as statues and more! Details and info on how to enter are below!

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    Experience the world of Resident Evil Village through the eyes of the maiden, who finds herself trapped in a dark dungeon. Swallow your fears and make your way through the horrors to once again find the light.

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    Introducing, Selma Blair Review

    Introducing Selma Blair is in theaters for a limited release with digital streaming on Discovery+ on Oct. 21, 2021.

    Of the actresses that came to attention in the early aughts, Selma Blair is arguably one of the few that was known more for the “type” she played rather than her celebrity off-screen. She played prim and pretty, with a dash of darkness, in films like Cruel Intentions and Legally Blonde with supporting character aplomb. And while she graced plenty of magazine covers, there was never truly a sense of who she was outside of her work. The documentary Introducing, Selma Blair finally reveals the acerbic, funny, resourceful woman underneath the Hollywood gaze as she endures the pain and uncertainty of an experimental stem cell transplant to improve her debilitating multiple sclerosis symptoms.

    Directed by first-time documentarian Rachel Fleit, Blair allows cameras to exist alongside her as she navigates her once cozy Los Angeles abode throughout 2019. The lush, multi-tiered home is quickly revealed to now be a beautiful series of obstacles for the single mother/actress diagnosed with multiple sclerosis in 2018.

    In a stellar introduction, a handheld camera frames the relatively spry and extremely witty Blair in her bedroom, putting on her Norma Desmond-like makeup for a talking head interview. As the camera and actress transition to her backyard, she is animated and limber telling her life story. All is well until Blair’s emotional support dog hops away, and in the span of a second, Blair is hit by waves of spasms and a complete inability to articulate with ease anymore. Brought to sobbing tears, we are made witness to what living with MS looks like in all of its harrowing distress.

    Fleit and Blair set the tone with that opening as the actress reveals what her existence is now, how it evolved to this point, and how treatment has both helped and failed her ability to function normally. Using a mix of intimate handheld footage interspersed with clips from her films for context and intimate talking heads from those in her small circle of helpers and friends, the doc is well aware that the most compelling focal point is Blair herself. The camera can’t help but frame her naturally photogenic face beautifully, but the realities of living with chronic pain bring out Blair’s true self in a way we’ve never seen her in movie or TV roles. With the disease making it impossible anymore for Blair to lean on the icy demeanor that was once her cinematic forte, we get to witness the woman she’s been holding back, and she’s beyond impressive.

    As with any person facing a turning point in their life, the doc allows Blair to work out in real time some lifelong issues she’s forced to face, like her dysfunctional, formative relationship with her mother, her admitted lack of ambition with her career, and the fear of not getting to see her son grow up. With her decision to undertake an expensive and still unproven transplant in Chicago, Blair hands off her beloved son to his father and closes up her home to travel for weeks of isolating medical procedures that will essentially reboot her entire immune system from zero in hopes of restoring mobility and the acute inflammation of the disease.

    The camera is a fly on the wall for almost all of the steps of her prep, transplant, and recovery, documenting the pain, fear, and moments of peace she embraces in facing down her mortality. But all the while, she’s also staggeringly funny. Blair’s gallows humor and lightning-fast riffs on the indignities of the disease make her all the more endearing as she navigates the schizophrenic nature of her new normal with MS. Allowing the camera to see all parts of herself isn’t just personally brave, but more importantly, it’s a brutally honest exposé for those who will follow in her footsteps. As they say, the fear of the unknown is half the battle, but Blair’s unflinching portrayal of this process shines a light for future patients who will be faced with it, now armed with the depth and breadth of what’s in store. It’s vanguard medical anthropology made accessible now to everyone interested to know.

    It’s as powerful as documentary filmmaking can get.

    While Blair’s outcome is far from a fairy tale resolution, there’s hope and inspiration from her journey that will be transformative for many. And for the actress who comes out the other side wiser, more grateful, and centered, it’s as powerful as documentary filmmaking can get.

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